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cat., Museo del Prado, Cason del Buen Retiro, Madrid 1981, p.142; Sandra Stolojan, ‘L'Oeil de la Colombe’, Esprit, Jan.

1982, p.95; Phyllis Tuchman, ‘Guernica and “Guernica”’, Art Forum, vol.21, no.8, April 1983, p.50; Richard Morphet, ‘Introduction’ in Suffering through Tyranny 1933–1953, Tate Gallery, display broadsheet, 1984, [p.1]; Gerd Betz, Pablo Picasso: Leben und Werk, Stuttgart and Zürich 1985, p.60, repr.

Oppler (ed.), Picasso's Guernica, New York and London, 1988, pp.81–2, fig.73; Tom Phillips, ‘Picasso: Great Genius Brought Low’, Independent, 7 July 1988, p.15; Arianna Stassinopoulos Huffington, Picasso: Creator and Destroyer, 1988, pp.237–8, fig.41; Andrew Billen, ‘The Whole World in his Hands’, Observer Colour Magazine, 29 Jan.1989, p.21, repr.

[p.1]; Anthony Blunt, Picasso's Guernica, 1969, p.53; John Russell Taylor, ‘Costly Picassos Now Thieves’ Main Target’, and Guy Brett, ‘Sir Roland: Collector - Painter’, Times, 9 April 1969, p.8, repr.; Edward B.

Henning, ‘Pablo Picasso: Fan, Salt Box, and Melon’, Bulletin of the Cleveland Museum of Art, vol.56, Oct.

p.19 (col.); Georges Boudaille, Jasper Johns, Barcelona 1989, p.22, repr.

p.21; Maggie Payne, ‘Under Fives at the Tate’, Nursery World, 7 Sept. and on front cover (col.); Herschel Chipp, Picasso's Guernica: History, Transformations, Meanings, 1989, p.109, fig.6.79; Danièle Boone, Picasso, 1989, p.118, (col.); Françoise Gilot, Matisse and Picasso: A Friendship in Art, 1990, p.189; Rosamond Bernier, Matisse, Picasso, Miró: As I Knew Them, 1991, p.149, repr.p.157 (col.); Andrew Graham-Dixon, ‘Old Masterliness’, Independent Colour Magazine, 12 Jan.1991, p.36; William Feaver, ‘Beyond Feeling’, in Lucian Freud, exh.

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